'Music and fantasy Essay\r'

'In the commencement ceremony of the story, Connie leads the life of a c arfree 15 year old girl. She spends most of her days in town with friends where they meet sons, harken to medicine, watch movies or go for shopping. When she rest at home, she fantasying about meeting boys and gets in her let’s appearance. She is happy when she listens to music and when she is in town with her friends. She is unhappy when she is at home and her mother constantly nags her. Her mother examines her useless, whose mind is always filled with ‘ brassy daydreams’. She is wish any other center of attention class teenager.\r\nHer humanity is full of friends, fun, shake off and roll music and fantasy. She knows that she is pretty and that is everything to her. She resembling most teenagers seemingly lives two lives: angiotensin converting enzyme that her family sees and the other when is anywhere other than home. She observes the populace through the rose colored render of youth. Her involvement with boys both real and imagined are sweet and sweet, the way it is in movies and promised in songs. 1. The story is different in the sniff out that the victim, Connie comes out on her own accord, passing her home and family behind.\r\nThe abducted does not force his way in to her house. Rather he seduces her by music, charisma and increasing threats. When Arnold friend appears and inquire her to go for a drive, she is flattered that he remembers her. stepwise she notices something fake about him and wants to quit the conversation. yet the turn comes too late and by then helper has her in his hold. She realizes the peril but chooses to give in. She tries to protect her innermost self by f whollying into a state of trance and distancing herself from her body.\r\nThe sweet sugary pop music that Connie listens day later on day epitomize her naive pile of life, love and sex, this proves very dangerous for Connie. She has a hazy view that any sexually charged interaction with boys is sweet and gentle like it is shown in movies and promised in songs. thusly she is helpless against Arnold Friend, whose disguise has a eldritch resemblance to Bob Dylan. His actions are that of the be adrift in Dylan’s song, â€Å"It’s entirely Over Now, Baby Blue”, who comes to allure her into an ominous and ambivalent destiny.\r\nThe gemstone’n’Roll music is always cave in in Connie’s life. She hears music in a restaurant in town. It makes Connie impression good about everything. To her, it is like a church service, something to depend upon. When she is with a boy Eddie, again there is music. harmony makes her smelling bliss and pleasure of being alive. When she is at home, she daydreams about boys and music is always at the background. On a Sunday afternoon, when she is unsocial at home, she turns on the radio; she is in a flash bathed in a glow of slow-pulsed joy that seemed to rise mysterio usly out of the music.\r\nMusic is also present in the random variable of Ellie Oscar’s transistor radio, the romantic promises and unbalanced strains of music assist Arnold Friend in seducing Connie at her house. 4. One of the themes of the story is fondness of innocent youth versus the reality of uncertain future. Connie has the illusion of love and life which is crashed by the cruel reality. In the beginning of the story, Connie sees the world through the rose colored eyeglasses of innocent young. She believes the world to be like what is seen in popular movies and promised in bubble-gum rock.\r\nShe lives in her own dream world. She fantasizes about boys, where all the expects dissolve in to one adept face which is not a face but an idea, a feeling blend in with music. At the end of the story Arnold Friend appears at her doorsteps and her world of illusion and ingenuousness is invaded with brutal reality. Friend succeeds in seducing her in to an unknown and uncerta in destination. Moreover if we consider Friend as a characterisation of Charles Schmid, a serial killer in Tucson, Arizona, then probably she faces the reality of despoil and subsequently death.\r\nWork Citation:\r\nâ€Å"Where be You Going, Where Have You Been by Joyce Carol Oates”. 12 July 2007. University of San Francisco • Educating Minds and Hearts to Change the World. 19 kinfolk 2007 <http://jco. usfca. edu/works/wgoing/text. html> Joyce Carol Oates â€Å"Where ar You Going, Where Have You Been”. 4 May 2000. Martina Preis and Corina Naujokat. 19 September 2007. <http://www. philjohn. com/papers/pjkd_ga15. html> We Could Be So Good Together: Rock And Roll And American Fiction. June 2007. Terry Dalrymple and put-on Wegner. 19 September 2007. <http://www. nobleworld. biz/images/D_and_W. pdf>\r\n'